Tessy. 25. Sweden. Screenwriter. DJ. Radiohost.
Sherlock, Doctor Who, Atonement. #fattanu



Benedict Cumberbatch at the Gala Screening Of “The Guest”

Nice! He’s wearing the Red c/way Stan Smith ‘The game is on’ Adidas custom shoes from Elle (assuming both colours were customised :)!)


I re-watched Sherlock. Then I got emotions. Then I had to paint something, and I was incapable of being happy at that point. 

#fanart  #sherlock







A group called Connecticut Working Mom’s has put together an AMAZING photo spread called “Lets End The Mommy Wars”. The photo shoot was about embracing their different parenting choices.

“Let’s end the mommy wars, once and for all, by tapping into our compassion and letting go of our judgments. Cause seriously people, the world needs more love and less judgment.”

Check them out on Facebook!

i like this so much

holy fuck this is incredible. yes yes yes.


I’m childfree but seeing Moms supporting other Moms and their variety of choices makes me happy. :)

This is wonderful.


Baby benedict


Irene says that Sherlock never responds to her flirting, which in any universe would mean that he’s not interested, but because John can find a way of being jealous of LITERALLY ANYthing with Sherlock he makes it into something he can be jealous of like he ALWAYS RESPONDS TO ME WHAT DOES IT MEAN THAT HE DOESN’T RESPOND TO YOU, IS THIS LOVE, like. honestly john. really. look at what you’re saying. 



To look or not to look…

"Actors in films react rather than act. The relationship between the two of them is hugely played out actually in silences, in the reaction shots.  When you write a script is very tempting to put in too much but actually what you do it´s to do with glances, it´s to do with avoiding glances, it´s to do with eyes meeting.”

(Deborah Moggach, Screenwriter)


I choose to interpret this as a reference to the climactic scene of the greatest adaptation of Sherlock Holmes ever made and no one can stop me.




Track: Waltz, for Mary & John
Artist: by Sherlock Holmes







Okay, let’s take a second to analyze this.

As a violinist who’s composed before, there are certain things that stick out to me. 

What is sticking out to me is the way the song rocks back and forth from a deeper tone, in which it displays gloom and misery (most of the time). I personally can’t think of a song in a lower tone played on a violin that exhibits the traits of a happy and calm song, but I can name countless songs that are higher that do show these traits. 

Going back to the higher portion, the higher bits of the song carry the feeling of calm and bliss. 

Going back to the fact that Sherlock composed this piece, let’s take a little walk into his mind. We know he loves John, whether you ship it or not, he does. He admits it out loud in front of a crowded room of practically everybody they know. If you want to, you can think of it as a platonic love, because if you think it’s platonic, it won’t change the point I’m making. If you think it’s actual head-over-heels, shouting-off-of-mountain-tops love, great, this won’t change the point I’m making either.

The point that I’m making, is Sherlock is displaying all of his feelings, all of his emotions of what is going on in this piece. Sherlock is known for not showing what he’s really thinking (although we’ve been able to see him break out of his shell quite a bit over the past 2 episodes) but we can hear that in his music, everything is explained. 

Let’s start with the higher bits. The higher portions of the song all share the same tone. It’s the type of tone that people will listen to when they want to relax. A waltz is literally a waltz because of it’s slow tempo. The light and calming sound creates the perfect wedding feeling. It sounds happy. Is this not how you want to feel on your best friend’s wedding? You want to feel happy for them. You want it to be their day, and you want to make it perfect.

Now, we carry on with the deeper tones. The deeper tones bring the feeling of sadness and loss. We know who’s loosing who here, and you can hear it in the bows. They’re heavy. Heavier bows usually are used to add power and emotion into the music. Violinists are told to play with less power on the strings with light and happy music, and then with more force onto the strings if you want to add more… umph. I am actually stumped how to explain it, but it’s easier to listen to than to explain, as you can hear in the music. 

Sherlock loves John, and letting him go was incredibly hard, but we saw him do it. He had obviously planned his leave ahead of time, as well as the song. The song really does carry these emotions of letting go. There’s the sorrow of him accepting that John is really in love with Mary, but there is also higher parts. There are so many ways I could explain the higher parts. I can say they’re Sherlock imagining that he’s in Mary’s place, or I can say that Sherlock wants to wish them well in life. Either way, it’s quite emotional. Overall, I believe that this composition is Sherlock’s way of letting go and letting of his emotions without breaking down, and it was his last goodbye.

As another violinist, yes, exactly! The A flats maintain a slight melancholy, or at least sense of wistfulness to the song. It’s obviously not just a happy waltz. If I were just to see the music, without any of the even more obvious feeling Sherlock put into if while playing, I could still tell. In my music classes, my teacher has told me to imagine a story to fit the music, and the story for those notes is one of trying to accept a great loss. In the actual story, it is trying to accept losing a person, because you think they’ll be happier without you. Sherlock, in whatever way you want to interpret it, loves John, and this song, just like the melody he played after he though Irene was dead, shows his emotions in a way he would never articulate.

I can do nothing more but agree. As yet another exceptionally experienced violinist, I can confirm along with many others that this is extremely accurate. I’ve been told many times that there are so many ways to express emotion and this was definitely done with so much emotion from Sherlock. I think the beginning is actually a bit of a melancholy feeling like the previous commenter said, or a sad-happy feeling. The higher octave tones imply the lighter, happier moments/thoughts going around in Sherlock’s head, whether it’s his own or the ones that he hopes/knows will occur in the couple’s future, and the heavier ones are the knowledge that his memories in particular are from the past and everything has changed. And it seems to change from light to heavy, which is very intentional. 

Can you imagine Sherlock composing this piece? He may compose for no reason, but the times we’ve seen him doing so it was for reasons. (Note: “Composing?” “Helps me think.”) For all those saying Sherlock probably just did it for no reason, well, I’m going to have to disagree. He poured his thoughts and emotions into Irene’s theme like mentioned, and that was his way of mourning the loss of her, someone who could understand him and was clever. He obviously composed with John in his mind. However this waltz is for Mary and John. Mary is included in this. Why? Because he’s happy for them, as sad as he is that the old life filled with running, crime-solving, tea, and John is now gone.  

Basically, he’s heartbroken at the loss of his love (platonic or not, whatever you choose to believe) but at the same time, he’s happy for both John and Mary. Heartbreak and acceptance. 

We have experienced violinist meta.

Love this fandom.

Oh my god. Three violinists wrote a meta on Sherlock’s waltz and I’m gonna go cry into my Moriartea mug now.

ETA: Three violinists. Waltz. The Sign of Three. That’s very…meta. o.O

I’ve never seen such brilliant analysis than what comes out of this fandom. This show and the people who watch it are amazing.

#sherlock  #meta